Danseurs à la Gay Pride 2001

Sign in to track and rate this movie.

No ratings available yet.

If it is films which reveal ‘the choreographic fatality of cinematographic intervention’(Dominique Paini) this one henceforth very much belongs-dance gestures, in slow motion, distorted, halted, impregnate the film procession in a commentary-magnificent-by its own unfolding (back and forth). In the tradition of the great Adebar (Peter Kubelka, 1957), Danseurs à la Gay Pride 2001 probe the origins of cinematographic movement from a photogrammatical treatment, based on the ecstatic effect that the repetition of a movement procures- hands, faces, hips- shown in slow motion.